Themes

Diana Spencer’s original publishing themes were extremely simplistic and stylized; and, she felt that her story was about ‘The Livestockery’ (as she characterized her family and the associated Class structure), her induction into ‘The Windsor Herd’ (as she described the agrarian enterprise which acquired her for reproductive purposes), and then her treatment by ‘The Germans’ (as she denoted her oppressors).

Diana’s original themes were to be The Crown (The Windsors)meets Game of Thrones (the Diana Spencer drama) meets an American Minuteman (the arrival of Theodore Forstmann); and latterly the possible sequel, House of the Dragon (the sibling rivalries of William and Harry Windsor). The narrative timeline of these series are arguably 1960 to date.

However, soon after Diana’s various researchers and managers started their investigations, it became clear that the corruption of the self-appointed Elites and the criminal conspiracy of the Establishment characters were so entrenched and immoral as to mirror not so much a Dickensian England, but a Medieval and Feudal reality. Diana felt ashamed and alarmed at being part of that social and societal system; and she feared that her sons would be trapped by that system, and have a miserable and superficial life.

The first tranche of (scene setting) publications has been prepared in 3 formats (PDF, eBook and hardcopy manuscript). These will actually be prototypes for the publishing methodology and formats to enable the refining of the output as the project advances. Thereafter, about 20 new titles will be published annually.

From Book 5 of the first 15 Diana Series titles, a novel tactic will be adopted to silence any vested interests in the United Kingdom; namely, that (where necessary) the publication of each book will be preceded with the introduction of legal proceedings in either the Court of Justice of the European Union (CJEU) in Luxembourg or the European Court of Human Rights (ECtHR) in Strasbourg. For some of the titles, the publishing strategy will include the use of ‘Absolute Privilege’ in order to reproduce (in some of the publications) British government documents. Those are documents from various Government ministries and agencies, Metropolitan Police (Special Branch, Specialist Operations, et al), MI5, MI6, Ministry of Defence, and from various Government ministers and officials. What will happen is that proceedings will be introduced either into the European Court of Human Rights or the Court of Justice of the European Union (depending on jurisdictional considerations), and those proceedings will cite and contain the British government documents. The retail publications will then simply quote and reproduce the ECtHR or CJEU pleadings and documents; and those documents thereby enjoy ‘Absolute Privilege’ in publishing terms.

The Themes and Titles for the Diana Series:

Ad Hoc or Scene Setting:
  • Diana and the Livestockery

  • Diana and Estella: Their Quest

  • Diana’s Average Expectations

  • Diana: Miss Skiffins’ Tale

  • Diana and Clara Barley

  • Ted & Dodgy & Lino & Beano

  • Ted and The Cloggies

  • Diana and Estella’s Legacy

  • Diana: From the Hulks!

  • Diana and The Trusts

  • Margaret’s Demons and Delights

  • Diana and Sexual Healing

  • Diana and Biddy

  • The Madness of Charles

  • Diana on Homo Sapiens

It might be noticed that the titles for the publications listed below have a tendency to use the letter ‘H’. This is explained in one of the paragraphs of the first ‘scene setting’ book, Diana and the Livestockery:

Diana’s decision to seek some sort of career in book writing was perhaps a bit far-fetched, given her intellect; however, she did have others who could help her and guide her. The alliterations were one of the tools used to concentrate Diana’s mind, and introduce to her the possibility that simple words could have a tangible outcome; and Hopefully, a financially Helpful outcome for her. The use of the ‘H’ headings, or possible book titles, was Bridget’s idea, supported by Victor who could see the up-hill struggle to get Diana into print. It was often simply a method to get Diana to sit down with a dictionary and start to understand the words that she was not writing, but to which she would ultimately put her name. It was often a Heinous, Hideous, Hateful at-times, task for Bridget and the others; and often, very often, simply Hilarious. When Diana, the budding author - of at least the book titles - failed to find a suitable alliteration, that glaring omission annoyed her, and indeed caused her to think. Anything that could actually provoke logical thought in Diana’s brain was to be welcomed. Thinking was not something frequently employed in the Windsor Herd, or those in Diana’s environment, and the proposed book titles which lacked the alliteration were fingers pointing at Diana, and focused her mind on the job in hand. The logic of the ‘H’ alliterations was that each of the ‘Hanging Files’ in the filing cabinets represented the potential contents of a book, and thereby one needed to find a label for the hanging file, and thereafter a title for that book. The task given to Diana was to find a title starting with ‘H’; it would prove challenging for her.

Crimes and Criminals:
  • Diana - Hallo Sailors

  • Diana - Hallo! Hallo! Hallo!

  • Diana - Harikiri, Hidey-Holes, and the Hand of God

  • Diana - Have Gun – Will Travel

  • Diana - Have-not Hard Cash and Nest Eggs

  • Diana - Hear ye, hear ye!

  • Diana - Herring (Red)

  • Diana - Homicides

  • Diana - Hopin’ and Wishin' and Happiness

  • Diana - Hue, and Cry

  • Diana - Hush Money, Catch and Kill, and Hatch or Cash

  • Diana and Harry Houdini, or Lime, or Palmer

  • Diana and the Hangers-On

  • Diana and the Hanging Judges

  • Diana and the Herded Hacks

  • Diana and The Heroine

  • Diana and The Home of the Brave

  • Diana and the Home Office

  • Diana on Habits

  • Diana on Hacks and Has-beens

  • Diana on Half-baked, Half-cocked, and Hackneyed friends

  • Diana on Hard Cash & Hard Drugs

  • Diana on Havens and Helter-Skelters

  • Diana on Hébergement

  • Diana on Heritable and Irritable Families

  • Diana on Highwaymen and Robber Barons

  • Diana on Hippocratic and Hypocritical Oaths

  • Diana on Histology

  • Diana on Home-schools and Hierarchies

  • Diana on Homosexual and Sexual Deviancy

  • Diana on Hooks and Hymn Sheets

  • Diana on Hospitals

  • Diana on Hostages to Misfortune

  • Diana on Household Affects and Effects

  • Diana on Hugger-Mugger

  • Diana on Humbugs

  • Diana on Hussey, by name

  • Diana on the Henchmen & Hangmen

  • Diana on the Heretics

  • Diana on the Home Service

  • Diana’s Fanfare for the Common Man (or Handyman)

  • Diana’s Hearth and Home

  • Diana’s Heir and Spare

  • Diana’s Herders

  • Diana’s Houseboys & Handmaids

  • Diana’s Hypothesis on Hyper-masculinity

Hijackers:
  • Diana - H as in sHit

  • Diana - Handicaps of Colonialization

  • Diana - Hazards, Comedy Interludes, and How Soon

  • Diana - Head Honchos and Help

  • Diana - High Speed to nowhere

  • Diana - High Voltage

  • Diana - Hindrance

  • Diana - Hoi polloi

  • Diana - Homilies

  • Diana - Humble Manifesto of the Peasants’ Revolt

  • Diana - Humility and Hoodwinking

  • Diana - Hunger Diana - Hustlers

Histrionics and Compulsions:
  • Diana - Ha-Cha-Cha-Cha and Hooters

  • Diana - Harlots, Happy Hookers, Harley Street, and Hammersmith

  • Diana - Hay’s Mews & Colbeck Mews

  • Diana - Horsey Keep Your Tail Up

  • Diana - Hugh on Margaret

  • Diana on Henry or Harry

Home Truths:
  • Diana - Halfpenny-Red (Nose-Day)

  • Diana - Have and to Hold

  • Diana - Health and Happiness

  • Diana - Her Majesty’s Revenue

  • Diana - Hilarious Pandemic

  • Diana - Hocus-Pocus and Politics

  • Diana - Hokum

  • Diana - Hole in the Wall Gang

  • Diana - Home Economics and Home Truths

  • Diana - Homeless

  • Diana - Homework

  • Diana - House and Home

  • Diana - How Many Ways?

  • Diana - Human Blood

  • Diana - Hypotheses and Black Holes

The Germans:
  • Diana - Hahn und Huns

  • Diana - Half-Wits and Heads of State

  • Diana - Hark! Hark! The Dogs Do Bark

  • Diana - Harrowing

  • Diana - Herzog für König

  • Diana - Honour amongst Scouts

  • Diana - Howe and Why?

  • Diana - Howzat!

  • Diana - Humpty Dumpty

  • Diana - Husbandry, Husbandman and Homage

  • Diana and the Horringer Horrors

  • Diana on Her Mag

  • Diana on Herd & Livestock Products

  • Diana on Heroes & Spies

  • Diana on Hierarchy and Social Class

  • Diana on Household Incentives

The Wind of Change:
  • Diana - Habibi, Oily Gawkers, Oligarchs, and Crooks

  • Diana - Habitudes

  • Diana - Harbingers of Hate

  • Diana - Harbingers of Hate – The Sequel

  • Diana - Harridan and Harpy

  • Diana - Hogar, dulce hogar

  • Diana - Honours, Stars and Garters, and Gongs

  • Diana - Hustlers, Harold, and Home


The Themes and Titles for the Forstmann Series:

The Forstmann Series was based on the discussions between Ted Forstmann and a number of ghost-writers; most of whom are well-known. The manuscripts are being updated to include new evidence and more contemporary issues and concerns.

The Tribute to Orwell and Huxley:
  • 2084: The Beginning and End

  • 2184: The New World Order

  • 9184: The Reset

  • 19184: The Resolve

Miscellaneous Musings:
  • Alien American

  • American Adventure

  • Baring Up

  • Briefly Encountered

  • British Cove

  • Ring Roads

  • Thin Grey Line

The Trump Debates:
  • Donald Trump – Antecedence

  • The Ronald Reagan and Roy Cohn Files

  • Mendacious Market Manipulation

  • Donald Trump – Conclusions